die 2008 in berlin gegründete band bildet heute ein sechsköpfiges ensemble mit zwei kreativen wegweisern: louise gold, sängerin und songschreiberin, und hans quarz, posaunist und arrangeur. die stücke schreiben sie gemeinsam - eine spannende mischung, denn hans quarz kommt vom jazz und louise gold aus der popmusik. ihr gemeinsamer sound bildet ein ganz eigenes genre: pop in cinemascope.<br >wertiges 180g vinyl im schweren hardcover mit exklusivem bonus track plus cd-version des albums & postkarte.

sascha kloeber & partina records, a secret hint for superb produced songs in highest quality with a lots of feelings and musical emotions. from deep to nice. be careful with nights of the sun - it turns into a surprise by a heavy synthesizer sound. limited white colored vinyl with a special mastering: much more dynamic and smoother sound than the digital release.

swayzak!! after a long, long break the real swayzak sound is back on 3rd wave music with a holy masterpiece and lesson in deep and dubby techno music. everyones sound of todays bub or deep vibes is called >sounds like swayzak< but this one is swayzak. raw, floating and never ending adventures of pure andvbeautiful electronic soundscapes and feelings combined with a straight groove. this release has a unique inside out cut! means the needle runs from the inner side of the vinyl to the outer side! 2 tunes with almost 20 minutes playtime on 180 gramm vinyl. all songs are written and produced by david brown. shrink-wraped. rare!

for the labels fourth release the aula magna team welcomes our first international guest, uks rising sound architect tomas rubeck. with inster ep the artist presents carefully crafted dub techno cuts and for remix duty we invited swedens mattias fridell to cast his techno spark to the package. its clear that rubecks sound and groove palette is born from producer whose artistry has taken a major leap forward. richly textured soundscapes define inster 01 and inster 02 on the a side, deep and warm tracks that hypnotize on steady but pushing beats. an inspiring experimental attitude gives shape to the aforementioned and the rest of the record. b sides inster 03 rests on a more broken-beat focus and the digital exclusive inster 04 shifts back to the dancefloor. in between, fridells cleverly designed rework of 03 boosts rubecks sounds into peak-time mayhem. a futuristic odyssey through unexplored acoustic dimensions awaits the listener

as if our recent releases hadnt already been spreading the sound of circus company into new and exciting places, now our very own silver-tongued enchanter jaw emerges with the first details of his own autonomous project. somewhere in between the electronic drive of his day job in dop and the folky, organic instrumentation of les fils du calvaire, jaw shares with us a new venture that has thrust him into the studio with lebanese musician kevork keshishian.

a journey into connective contrast, the oxymoron lp is justice & metros best collaborative work to date. a refined exploration of self, history and the unmistakable mjazz sound. paradoxically both future and retro, a true oxymoron. support from dj flight, blocks, asc, sam kdc, code and jason os.

last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

he has been in the game for 15 years now, and throughout ark has proven he is not one to spread himself thinly. leading up to 2010Æs arkuarium on thema, he had released a string of collaborations that wandered enthusiastically and whose experimentalism culminated on that record. apart from a few celebrated remixes since then, ark has been busy in the studio crafting a new batch of focused heat, mostly alongside his brother pit spector, himself a respected producer and dj known from associations with circus company and minibar. as we finish exploring a heavier sound with our well received re:vision series, the sophisticated deep house tracks on ark and pit spectors new call of the horns ep announce a new direction for the artists and a direction we seek to illuminate as we define the different shades of the spectrum at thema.

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

genrehopper phon.o erreicht durch verschmelzung von uk bassmusik mit techno, garage und sogar house neue perfektion. nicht im wilden mashup-stil, sondern als organisch-natürlicher sound. schn33 ist ein garantierter floorfiller für alle sorten von dance-djs. und zusammen mit einer starken b-side wird diese maxi zur bislang stärksten von phon.o ever.

culprit kicks off its extended summer series of releases and finishes its five-stop european talent scouting tour in, appropriately, spain. two new immensely gifted additions to the culprit production arsenal are valencia and madrid-bred(and ibiza-based) team of edu imbernon and los suruba.the trio deliver one of culprits most distinct singles in recent memory,fayer, a composition of almost timeless sound palette, whose analog warmth and upbeat feel make the labels customary transition between its indoor and outdoor programmes.

ten tracks that bear witness to this duos maturity. this is a handmade album that pays very much attention to details. with personal sound design and synthesis work. on good old plastic circles and downloadable data formats.

luis ruiz is back, and how. superb new release from the argentinian label, is luis ruiz on his subsequent records ltd imprint delivering an analog/old-school techno, hard big-room industrial techno with a devastating sound, with the prestigious remix by oscar mulero on the flip. the tree of life, reveals the roots of the techno in his pure dna.

this debut release is the first in a series of remix eps featuring up and coming scottish artists remixed by well e stablished and emerging local and international talents.

antigone is an artists coming from the depth paris producing and digging for several years now. the three tracks are a travel in to different style of techno with the intention to reach a certain emotion that is close from nostalgia and really deep feeling. the challenge of this work was to find a good balance between sound and colour, focusing on an old sci-­&#8208,,,fi landscape. with a really mature perception this young artist is developing his own sound, a detroit atmospheres, openly characterize this ep, but it remains antigone work at the end with all his sense of details and perception.

hmcs most recent offering of techno and house music, city rhythm, (juice 002) is a sound typical of his influence on dance music culture in his hometown of adelaide, australia. from pre-internet days when scenes throughout europe and the us were created on the back of techno and house music, a smaller but just as significant scene had developed in adelaide, celebrations were a weekly occurance on adelaide dance floors and dj hmc was responsible for the playlist.

the kowalski club based in stuttgart / germany extends its activity and captures the clubs spirit and sound on vinyl and digital releases. for the first >kowalski musik< release no less than basti grub was engaged. the acclaimed dj and producer delivers a summerly tribalistic and melodious deep-tech-ep full of lightheartedness. all three tracks of >te quiero decir< are pure kowalski and take the listener on a journey in the dreamworld at stuttgart main station. protagonist basti grub runs his own label >hoehenregler< and has just released an ep on desolat, home of loco dice. this first release defines the high standards of >kowalski musik<. early support by monika kruse, reboot, loco dice

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

kuni & henriks collaborate again since dancefloor hit track once again. original version on a side, henriks trippy melody and kunis musical flute sound fits amazing. its a new style of jazzy deep house. on b side, our favotire kraut rock oriented band who base in cologne, von spar, delivered excellent remix. if you are following pampas die vogel, you will love their remix. remix package of session 2 with lord of the isle & henriks children johannes brecht remix are coming in the summer.

directly from the music box of chicago and with the blessing of ron hardy we are proud to introduce you the next record coming out on artistika. chicago based artist gene hunt is came back with another stunning and explosive release on the italian artistika recordings. since the late 80s, as now, the fresh mix of vocal-imprinted chicago-house and roughly soulful techno is that characterize in major way hunts sound. after several releases on djax, hybrid, mc projects, step 2 house, svek or rush hour, he brings us 4 classical house tunes on the new artistika release. >i am from the old school. i have seen many eras of house change over the years and i know what the people want< (cit. gene hunt). vinyl only!

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

may 20th 2013 will see koreless release his debut solo ep yugen on young turks. following on from previous releases 4d/mti and lost in tokyo, and his collaboration with sampha for short stories, welsh born producer koreless has well and truly defined his own sound. existing somewhere between soulful electronica and eno-like ambience, the emotion filled soundscapes of y?gen give the listener a glimpse into the vast concepts imagined by koreless and presented through his music, artwork and performance.
remarkable in its restraint, sophisticated despite its simplicity, and almost entirely beatless, y?gen is a bold statement that deserves to be listened to and lost in.

limited edition of 300 copies on red vinyl.
not waving --> remote viewing --> extra- sensory perception --> sensing with mind --> remote listening --> i want to give a sound to places i dont know - throbbing // textural // noise // processed // casualties // mistakes // accidents // anxiety // claustrophobia // abandon // absention // escapism. inspired by 80s weird italian electronica, manuel gottsching, peter bauman, this heat, ike yard. remote viewing is a powerful, paranormal technique developed in the 1970s at stanford research institute and used by the us government. analog pedals//synths//drum machine//guitar//violin//voice written, produced and recorded between september and december 2012 in london.

french producer fulbert launches his newly found rawthenticity imprint with 4 raw deep cuts made by himself. the significant fulbert sound is heavily present on this piece of wax. thumping drums are subtly combined with vocal cuts and floating pad sounds. raw house music in its essense.

limited 12inch release from japanese dance music producer/dj brisa with, teaming up with capitol a. our fave is the jazzier the soul. check!his 2008 album elevation perception (co produced by yukihiro fukutomi) featured singers like paul randolph, nadirah shakoor, monday michiru and he shows an original crossover sound of soul, jazz, house, breakbeats etc

introducing haraket, a 5 piece from south london who are set to release their debut 12 inch single on melodic recordings this spring. the band emerged from the creative chaos of school and college bands in and around peckham that have already given the world king krule. this is the first in a series of releases with melodica recordings, with an album due next year. haraket fuse wall-of-sound dynamics with often delicate source material, moody electronics, programmed beats and effected vocal lines. think a post dubstep version of early underworld or a certain ratio reinvented by the new digital century.

adam beyers unique vision of the afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. ben klock steps up to take on the afterparty too with the sound ever so synonymous with him. he uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created.

first release on vinyl le galassie di seyfert records two trips to high-intensity sound and atmosphere, hypnotic,intriguing and psychedelic work of great talented carlo boselli.techno superb white vinyl only! no more words! just listen!

subtext presents the debut album from uk based sri lankan born artist paul jebanasam. rites brings together five settings of stark sonic poetry whose underlying logic bridges the worlds of contemporary classical, metal, sacred music and sound design.

having first hit the scene 15 years ago with night over manaus, boozoo bajou have since gone on to release 3 critically acclaimed albums on !k7 and stereo deluxe, working with the likes of legendary drummer tony allen and soul legend willie hutch and remixing. common and tosca along the way. stepping up for their debut release on apollo records, the nuremberg duo of peter heider and florian seyberth have put together a stunning four track ep that draws on their considerable history while simultaneously moving their sound forward.

wildheart recordings is theo parrishs new london-based label. sound signature releases for the body, wildheart is for everything else, is theos pithy summary of his two labels aims and compatibility. day like this and feel loved are the first fruits of parrishs work with the legendary lagosian, tony allen.

fas005 is the latest release on fathers & sons productions, an unknown artist project is back on the label bringing us a new sound. vinyl only, limited copies, one copy per customer

founding sound traveller dj patrique collaborates with clarence on one track to be released on the vinyl edition only. clarence brandon is obviously inspired by the detroit heritage as all tracks bear the soul of this influential city. by using an uplifting track build-up, forward moving rhythms and inspiring melodies, all tracks are well suited for the lovers of fine techno and house. gracefully placing subtle sounds but never loosing sight of the dance floor, clarence diligently produced the first ever physical sound travels release.

carving out his own unique sound for the past twenty years, terrence is one of technos true masters born from detroit. his name has become synonymous with the more outer reaches of the stripped down sound that he has made very much his own - imitators beware!
initial pressing on limited red vinyl.

missing godzilla kebab? i am in town. just came back with several house-snacks from eastern europe. all the grannies on the block are already in shock. get ready!

with uncompromising deliberation jerome sydenhams imprint ibadan records forges its way through the overcrowded world of electronic music in search of diamonds. case in point: quell with his debut solo album them crowd kids. this montage of house music is a fitting addition to a label thats featured some of the worlds most poignant, illustrious and visionary dance music producers, including the likes of dennis ferrer, kerri chandler, joe claussell, function, joris voorn, and radio slave to name a few. quell, already a dominant force in the underground house music scene, has upped the ante with deliberate focus and acumen. through his bespoke style of production, avant-garde dj sets and prodigious thinking quell has come of age. quells music is an amalgamation of images, sounds and nostalgia that derive from his perception of a universal club sound

lycaon launches syntagma, its fourth release, a work of aiken, an artist closely related to the distinctive sound of the label and one of the pillars that will hold its future production. an original cut and two remixes by agony forces, lycaon owners, round off the tracklist of this release

blending mode ep by hironori takahashi (lineal, stroboscopic artefacts) showcases two of his original tracks. his sound is best described as deep, raw and hypnotic techno. he has provided us with venatrias & jazert, amazing tracks which are filled with atmosphere and repetitive rhythms they will take you on a deep journey

mr. oleg poliakov joins the phonogramme team. also known for his releases under the skat moniker, olegs early production career was built on creating beats for hip-hop mcs and lending his studio skills to rappers. switching to radio production, he went onto to work with french national stations, further enhancing his technical skills. it was at this time his began to explore electronic music as a composer. with a sound that strays from specifics, he looks to create his own compositions using a subtle combo of all electronic worlds. his early releases on labels including karat and sthlmaudio won him acclaim, but it is his releases for circus company that have really put him on the map.

this is a record designed for dark, gritty, steamy basements and it goes straight to the floors. following the well received ohmu ep, cage & mirrors is enders new twelve-inch release on seahorse & castle. its featuring that trademark percussive and driving modern house / techno sound. a- sides title track >mirrors< has a truly classic detroit feel with grooving hi-hat and swelling keys. b-sides >cage< and >lush mile< both are analogue house cuts with the right tension throughout. eps beautiful cover art is designed by fellow compatriot eero johannes.

returning from a faraway place with a far away sound, the hotly anticipated follow up from the cosmologist has landed. those who supported cosmology volume one will know what to expect and volume 2 arrives with refreshingly little fanfare.
early support from greg wilson / ashley beedle / severino hmd & is soon to be featured on leftside wobble s acid soul vol 10.

young adults enters its sophomore year with an ever expanding bag of left coast body music. having released 12 inches from westward wonder kid suzanne kraft and a sampler ep that culled production heat from both the us and abroad, 2013 finds the house and disco hub digging deeper to keep speakers bumping and dance floors steamy. house slippers is an exploration of the night – sultry whispers, percolating elixirs, coos, croons, red lights, black lights, and strobe lights – all situated in downstairs speakeasies, lofted warehouses and hazy afterhours. the compilation soundtracks the progression from dusk till dawn, complete with warm up burners, peak time jammers and comedown chuggers. with contributions from permanent vacation, mark e, ben la desh and others, ya continues to curate its signature sound with like-minded party rockers.

third release on big box recordings! upcoming producer and multi intrumentist aliwud, delivers a masterpiece ep! discover his midas touch, strongly influenced by major artist like george duke, herbie hancock, stanley clarke his sound mixed up 70s funk & neo soul. he shares his legacy with miri & emund swinburn from london to give birth to this wonderful ep >here i am<. the weshokids turns >give you everything< into a dubstep anthem! and la tourette delivers a great house remix with his rework of >don’t stop now< aliwud is here ! dont miss !

full pupp takes us on a trip to the darkest side of disco with 3 suspenseful takes on the lionheart brothers >the drift<. frisvold & lindbaek dont waste much time lull you in with gentle introductions but pull you right into their deepest lair where swathes of billowing, ghostly sounds and warped strings are sliced trough by gyrating rock guitars and echoing vocals truly messing with sense of reality and orientation. a psychedelic onslaught of stoner rock, italian horror soundtrack and progressive electronics which in the morten oby & prins thomas version obtains its dizzying intensity from stacking said components tightly to a towering, dense sound of wall while prins thomas diskomiks on the flip takes it sweet time of pleasurably adding up the spine tingling aural ingredients over a straighter beat, slowly tightening the screw during to course of 12 gloriously spooky minutes.

rob duke is back on the field with several new weapons to spin out! three original track and one featuring with noon. this new ep represents a nice form of the fusion between house and tech house. a great journey into a deep addictive groove surrounded by fat bass line and surprising organic sound

vinyl only! we have a new release lined up from the enough! music family. there are so many words that could best describe the debut ep from plusculaar, but we prefer to simply say that this release is simply exceptional, we are in love with this sound! two tracks stai jos and romance are both full of passion and soul, detailed arrangements full of magic and expression, there is nothing ordinary about these, they are simply wonderful! for the remixes we have contribution from dana ruh and eveline fink, each providing their own personal touch, a fusion of techno and dub, well structured and subtle. each little hit, melody and percussion groove fits perfectly and is well matched and balanced in these two mixes. once you listen, you will understand straight away and all night long!

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

nick woolfsons teng imprint drops, tactics, this april by german producer mias void, backed with a remix from the barking dogs. mias void, better known in the industry as matthias vogt, has been producing infectious house grooves for quite some time now, with releases for labels such as, chicagos large music and lazy days recordings. here vogt pushes into new territories under his new mias void guise, matthias sees this alias as a chance to express a new, more experimental side of his productions, yet keeping the mv initials to maintain a lock between the distinctions. with releases pinned down for polytone, lo:rise and fullbarr already, this new sound will undoubtedly be as well received as his deeper explorations.
supported by: dusky, iron curtis, akra, john osborn, jacques renault, seth troxler, laura jones, radio slave, uzuri, tony rodriguez, m50, maya jane coles, alex coulton, flori and many many more!

muovos second strike on audio safari is already waiting in the wings. after he was signed as the first artist on that label, he now also presents the number 14. this also proves that muovo does not only have perfect skills with a mixture of house, tech/deep house-sound as a dj